Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Piazza San Marco | the stonemason s yard | Riva degli Schiavoni: Looking East df | A Caprice View with Ruins (mk25) | The Piazzetta Looking towards S. Maria della Salute ff |
Related Artists:
Henry Clarence Whaite
British artist, 1828-1912
Elie Pavil
1873-1948
ARALDI, Alessandro
Italian Painter, ca.1460-1530 He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of early Venetian Renaissance painters such as Giovanni Bellini and Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern, style.